ShooterGang Kony Sylvan Lacue BIGBABYGUCCI Jdot Breezy KARRAHBOO Nemzzz

This is Friday to Friday, your weekly rap wrap-up, going through our favorite releases in rap and hiphop [music] from Friday, September 4th to Friday, September 11th. My name is Jacob. I'm a mixing and mastering engineer from California and your host for today. And I have with me producer from Detroit, Michigan, Gav aka Luna G. >> What up? What up? and producer and artist manager hailing from Montreal, Canada, Matt Kerier. >> Yo, what's good? >> Before we get into our picks for this week, here's the full list of artists that dropped projects. We got 414, Jungle Baby, Aaron May, Big Baby, Gucci, Blue, and Soundtrack, Confetti, Dizzy, Rascal, Hood, Trophy, Bino, Jot, Breezy, Caribou, Laser Dim, 700, Mickey, Blanco, Nems, Shooter Gang, Coney, and lastly, Silven Lu. So, we had an interesting mixture of opinions this week. Normally, we're a little bit more aligned. in the group chat this week. It just seemed like there was stuff that I like that you guys didn't like, you guys like that I didn't like. So, it's going to be an interesting episode. Maybe more quicker reviews this week than normal, but you never know what kind of week we're going to get. Every week kind of brings its own benefits and obstacles, but we can kick it off with Shooter Gang Coney with Channel One. He's a NorCal rapper from Oak Park over here near me in the Sacramento area. He's part of the shooter gang crew, and I think it's fair to say he's the biggest in the group, at least like numbers-wise. But this project was really consistent top to bottom. Like it has the lyrics and the beats. And a lot of the projects this week either had one or the other, but this one was really quality. One of the lines that stuck out, they feel me like they're blind. That one kind of made me laugh. He had another line he said, put up a peace sign, then filled him with more holes in a beehive. Very shooter gang lyrics. >> Bro, I just love that he had Chedda Bob as a little eight mile reference on on one of the track names, too. >> Yeah, that was one of my saves, too. I like Cheddar Lil Bean. >> Yeah. >> Yeah. Know, I like the project. So, that was my first time checking him out. Chennabob 2 is one of my saves. And then, um Oh, yeah. [ __ ] out. >> But overall, honestly, the whole project, like there's nothing that I skipped. There's nothing that I was annoyed to hear. It was just it was all good vibes. >> Yeah, I didn't skip anything, I think. And I playlisted like most of the album, so there's pretty much no skips for me. But I did have some favorites. And I want to talk about the production a little bit in regards to my favorites because the production has a lot of beats with really nice combination of real instruments plus trap drums. A lot of it's produced by Julian Cannon and also Easy Drez and Brutal Money. Those were the main producers. Dope Producers now like firmly on my radar after how heavily I was [ __ ] with this project. Some of my standouts were like don't feel right giving passes. Great piano line in that and then the one you mentioned that [ __ ] around and find out again with the piano and then also a saxophone on top. There's another track later in the project Damn which was again a fire piano line and a jazz trumpet. I love the ongoing theme of like the piano and the brass. >> Mhm. which I feel like you don't get a lot of in this kind of trap music either. >> Yeah, it reminds me more of >> Yeah, very um I guess >> like Mike Dimes Big X kind of feel like where it has that jazz feel to it like a lot of like swing music too like you get like 50s kind of swing. Damn is one of my standout beats to be honest. It's just the horns mixed in with it like you were saying. There's it's such a catchy line and they let the sample play out and then chop it and loop it. It just it comes in so crispy, especially with the boom boom boom like drums kind of punching into it. >> Yeah, there's a lot of really good sample chopping throughout the whole project. >> Had dance moves saved. Can't stand me with Lil Ye. >> Yeah, can't stand me. It has like this symphony sample that hits super hard between this crazy 808s. >> Mhm. >> Dude, >> sounds fire. >> The 808s, by the way, throughout the album. >> Yeah, >> I found that just the bass like that was one thing that really really stood out. like just everything was full really really on every beat. >> Mhm. And the mixes were all super clean. Like it sounded like an album too. Did not sound like a mixtape at all. Sounded very put together. >> Yeah. Which was nice to see cuz I'm trying to think the last time that he dropped a project like a full length project was I guess it was last year. >> He's been pretty consistent looking. He's dropped one like every single year. >> Yeah. >> Last Oh, he dropped three in 2020. Kind of went off. >> So back in 2018 is when I caught on to him. He had a song that actually is stupid popular. It's got like 43 million plays, the Deep End Freestyle. >> Oh [ __ ] >> That's yeah, what caught on for me. And then just from there, I've been kind of keeping tabs on them. I missed this album run over the past couple years though. But Channel One, I don't know, like the cover stood out to me. Like all of it was just felt really professional. Beats, mix, like all of it. It just felt like an album, like a whole package. There was also a good mixture of like hard trap songs and songs that felt like they're about something and like he slowed down the vibes at the right time. It was really well curated like in that way. Couple of the last few songs, everything is like the super haunting female vocal sample and then Con getting more introspective. And then the very last song I really liked, Corner Pocket with 1100, I think that's how you say 1100 himself. Super smooth beat again, piano and saxophone and trap drums. It just works so well. And there's this key change for the first half of 1100's verse that was a perfect switch up that really made it feel like songwriting, not just like a beat. It was really good. >> I ended up saving Get Your Shine on too. I really like the like children's choir at the beginning of it >> and just this like reverbed out guitar and pianos that come through. >> Mhm. >> And then it's just a disgustingly fat 808 when it drops. It's just like like what the [ __ ] dude? I did not expect that. Yeah, he's fire, man. >> To be honest, this was one of the the highlights of the week. I don't know how it would have stood against other projects from like previous weeks, but for this week, I could easily say it's it's one of the best projects of the week for sure. >> Yeah, this was my favorite one of the week. >> Definitely agree with that. You guys got to go back and listen to Star Shooter. It's the one with him on the Crescent Moon. I forget what movie company that is where the the kid sits on the moon and like fishes off it. >> Yes. It's like a parody of DreamWorks. He's sitting there with a with a gun. >> But yeah, that one has like Jump Man and As You Broke. Those are two fire songs. But >> nice. >> Yeah, I like Coney a lot. I was excited to see this. Went into it, no expectations, and I was just turning up the whole time. >> Agreed. [music] >> Happy with this one >> for sure. Yep. That's shooter gang con with channel one. A very different change in tone here. I want to talk about Silven the Q with depths of a man. Actually, the full title is Depths of a Man, a memoir of Silven Lechu. This is a very deep album. It's right there in the title. It's very lyrical storytelling mixed with some abstract lyrics as well. And he's talking about his experience with cancer. There are a lot of powerful lyrics about his recovery and dealing with his mortality. Although he says on the title track, Depths of a Man, at the end he says it isn't about healing, it's about changing. But still wish you the best in your recovery, Silvin. But yeah, this was a this was a really deep interesting project. It was it was kind of intense. It's it's a really powerful listen. >> Yeah, this was definitely um my favorite projects that he's put out and like some of the singles that he's been teasing for it had me really excited too. like Tears of a Stoic. Hoarding as well was that EP that we got a little earlier in the year. >> Yeah, we covered that. >> Yeah, we really liked Hoarding. >> Yeah. And so that was again a memoir by Silvin Mchugh. And so I don't know like >> Oh, that one also had that name in it. >> Mhm. >> Oh, >> that's why I got a little confused when this dropped. I was like, wait a second. >> The cover is different. So I was like, no, no. >> So he's like writing his memoir over multiple projects. Wow. >> Wow. >> Yeah. Yeah. And then all the cover art for the singles on this one too is like Tears of a Stoic is him in the in the hospital bed. Blood Thicker is like a bunch of what looks like younger him, like pictures of just him throughout his life like with family and stuff. And then um Atonement is him actually. It looks like learning to walk again and stuff like he's got a walker and stuff, a hospital gown on. >> And so the roll out for this was really really cool. And I honestly tried to kind of stay away I tend to stay away from singles when I know that an album's coming unless I know it's an artist that's like the album's just going to be a bunch of singles anyway. >> Mhm. >> But like with him Yeah. Like I want to kind of I want to feel it all together and so I think the only single that I heard was Tears of a Stoic. >> Mhm. I do like that one. >> The lyrics of this whole thing were kind of crazy. So I didn't end up playlisting any of it cuz I feel like you got to playlist the whole thing. >> Yes. I was going to say that same thing. Basically, I don't have any highlights because it's one piece of art. If this sounds interesting to you, just go listen to it top to bottom. >> Yeah. And it's not that long either, if I'm not mistaken. It's like >> it's not super long, but it's dense as hell. Like I I listened to it like a bunch of times in a row >> and I was like felt like I just starting to pick up on everything he's getting into on this. >> There's a lot of layers to it. Yeah. >> Really in-depth lyrically. Production-wise, it's really dope. Sample based beats, no drums on almost no drums on anything. He keeps the vibe really simple in the production, but it remains very powerful and meaningful through his lyrical content. he's really telling his story and I forget which song has the dialogue at the end where he's talking about his diagnosis and like going through that and talking about like psychosis and like this just felt like a a very important piece of work for him and [music] this one just was this one was different in a good way. >> Yeah, it was definitely you could tell he's pouring his heart out on it for sure. Well, that's Silvin Leq with depths of a man, >> a memoir by Silvin Lech. I think I said of Silvin Lech earlier. I meant by. So, I did want to talk a little bit about Big Baby Gucci Temporary Fix. The first song, Porvita, caught my attention right off the bat. I playlist it like on first listen. I really liked it. And then Trust Issues, that one I like a lot as well. It's really strong way to start the project off for me, those those two songs. Unfortunately, the rest of the album never caught back up to the momentum that those first two songs had, but Paranoia was pretty vibing. Where in the World had a pretty unique song structure, a smooth bounce to it, and then Blackout was solid as well. Maybe not my favorite Big Baby Gucci project, but uh a couple saves on it for me. >> Trust Issues, LeBron, Back Pains, those ones were all ones that I saved in LeBron. I really liked Ben Zelli's verse on and like just the synth kind of like arpeggiated synth was cool throughout it too. >> Yeah. Same. Just Issues too is the one I liked. He has years where he's dropping like five, six albums, you know? >> Yeah. This was his third album this year. >> Yeah. I think he's the kind of guy that even an average project for him, his songwriting still makes him stand out regardless where it's like even even the mid like there's there's other dudes this year that we've spoken about that are mid that their songwriting don't even touch his songwriting in terms of like style, you know? >> I agree with that. >> Like I still was like I have to cover him because he's still a tier above for sure. >> Yeah. Yeah. >> Yeah. >> Anytime I see his stuff I'm like yo listen to it, you know? Well, like cuz it's just you can put together albums based on just like vibes. That's what I like about it. But yeah, in comparison going back to a lot of the music that like really got me hooked on him. I mean, I have like 51 songs playlisted by him across 15 different releases, you know? So Mhm. There's a a producer that he used to work a lot with. I think he still does a little bit. Uh his name is Fish. >> And you you'll notice that probably >> Yeah. Yeah, like he to me he's like he's like really really up there in terms of producers, but he's so low-key that I don't think anyone really knows what he's up to. So like I don't know if like he's still heavily involved with these projects or you know what his uh what his deal is. >> But yeah, like a Sleep at the Wheel, one of my favorite songs, Chardonnay. That was that was Fish Production. >> I don't want Lena. I just want Chardonnay. >> But yeah, like like we were saying, just crazy big catalog. So fourth album this year. across the course of the year. I've definitely playlisted an album's worth of great Big Baby Gucci songs. >> Mhm. >> It's just his release strategy is different. So, you know, it's a lot. And then you can decide what singles you want to pull from. He's not like curating it down. He's just like putting a lot of music out. >> It is a little tough to follow sometimes because it is kind of like you got to sift through and figure out like what do you like cuz not every song's a hit. It's more just like hey, here's my catalog, you know? Like that's not a super common strategy. >> More common these days, but you got to have a dedicated fan base to push the songs to the top. >> Mhm. I think it was common before, but now it's cuz it's so easy like with Dro Kid and everything to throw stuff on Spotify. Back in the day, everyone just threw the stuff on that piff, right? Or like my mixtapes or >> Yeah. >> Just like those guys that upload like one album a week. >> Yeah. Yeah, good point. >> But no, a lot of music this guy puts out. out of all the projects like I'm I'm happy at least I'm still getting saves on each project. >> Yeah, like that is Trust Issues was standout. >> Yeah, Trust Issues is great. That but like you said, there's saves on every on every project. So, I will keep listening to them until that becomes no longer true. But he's really consistent, so I don't really see that happening, >> right? >> Nothing will ever touch. One night I took acid, though. That's still my absolute favorite project by him, >> personally. >> Well, you never know. Maybe one of these days he'll he'll top it. We'll top it. >> Well, that's Big Baby Gucci with temporary fix. I'm down to honorable mentions already. Personally, did you guys want to talk about breezy? >> Yeah. Okay, let's get into that. >> Bro, he snapped on this one. The Mad Vamp, I think it's called. >> Yep. >> The title track goes crazy. And this is just a EP. It's not even like a full album. It's a 18m minutee long EP. Start to finish, I was like, what the [ __ ] am I listening to? Like, this is not what I expected off of this. The production's crazy and then like the lyrics, his flow is just one of my favorite kind of it's like drill style and it hits. It doesn't feel like corny. It's not like bunch of reused lyrics. I like his vocal tone. I like the beats. >> He has a kind of a unique vocal tone. And then the beats are like you said, that's drill, but it it's also got a little bit of rage energy in there, too. >> Absolutely. And the the whole thing with the mad vamp, I was like could not help but make the Cardi connection. I was like, is that like vamp life? You know, like something to do with that. >> Exactly. Yeah. But I don't know. It kind of reminds me of Skrilla in a sense. Like these like halftime drums. >> Yeah. The Mad Vamp specifically the title track. That beat sounds like basically a Skrilla type beat. >> Yeah. Mhm. But I'm not mad cuz like he just floats on it, dude. >> Yeah. And then he has like Come get me, which is a more like lovey song. But yeah, they're not all bangers. There's some mixture in there. >> Well, who am I pleasing too starts out with that like reverb kind of acoustic acoustic electric kind of sound that's um emo guitar feel that I don't hear a lot of like artists doing. But yeah, for going from the Mad Vamp to Who am I pleasing where he's like lowkey singing almost on it is it was fun. I was not disappointed personally, but he's put out a couple albums this year, so I'm surprised we haven't caught on to him. >> Okay, nice. Right on. Well, that's J Breezy with the Mad Vamp. We should talk about this Caribou project. Not the two. We got a Yachty feature that we were talking about a bit. >> Yeah, it was a good Yachty feature. Yeah, it's not a beef that I was invested in. It was more a beef that I was tired of seeing. So, I'm happy now that it's resolved just cuz it just felt so weird. I have no idea what their whole deal is. I just find that whatever ear yacht has for beats production sound, Caribou sounds good on that type of production. M >> uh the first Concrete Boys has like those um there's a couple like more sampleheavy songs that she kind of raps on. And so it's not that I didn't like this album. I just found that there's a difference maybe in the type of beat. Like the beats were all very like the same type of genreish. >> So I I don't know. For me, I guess I'm just curious to see like what would have happened if none of this beef would have ever happened. And you know, maybe she would have been a huge part of Concrete Boys and >> Yeah. >> Just glad it's over. Yeah, that one never made sense to me. I don't What was it even over? I'm going to sound totally >> Well, that's the other thing is that like and even on this album, she has a few bars about it. Um where, you know, she mentions having difficulties dropping the album cuz the label is holding it. Uh which is something that, you know, we we hear a lot about. >> They said when you got new music coming out, I said the label holding it up or something like that. >> Yeah. You know, but it's like there's a lot that goes on behind the scenes. like, you know, Yachti may have his own imprint, his own label and everything. That doesn't mean that he necessarily has, you know, full ability to drop whatever album at any time. Like >> it's not one of the suits. >> Well, that's it. And like it seemed like a lot of just like bitterness and issues. And I think the beef lasted what, like over a year. So, I mean, it just it I think the public just always felt weird about it. And yeah, now it's >> I got to be honest, I've never even heard of it. >> All I knew is that they weren't talking. [laughter] That's why I was like, >> I know that she got dropped from Concrete Boys cuz she >> I feel like she like went off on a interview or like a post or something, but she basically was just like, "Man, [ __ ] all this shit." >> And then Yachti was like, "All right, cool." >> That it just it felt like the most uncomfortable beef. I don't know why. Then maybe I was a demographic. People were sending me damn links about it. Yanni looked hurt. Caribou looked hurt. The people around looked hurt. The fans looked hurt. So it just winning. I've personally like on this album it's good background music. Um like all the beats go off. Her flow is consistent. >> I did like WIO a lot but mainly because of the like back and forth with the the feature on there Monolo >> who I'm not familiar with. >> Yeah. >> But there's a bar that she has. Hey Big Boo, you know you my [ __ ] but I'm trying to wear your ass out in this song. and [laughter] like so it's just kind of fun like they're trying to kind of go back and forth on the bars like out wrap each other >> but this just felt more fun than anything. Um, she does talk a lot about like her addiction problems and stuff, like sneaks in some bars about like being off the perks all the time and like wanting to get off this [ __ ] and like just being having no life, being in the studio, sun up to sun down kind of thing. And like so there was bits and pieces of what felt like introspection. Um, like a little kind of like peak in her life, but >> otherwise it felt more like club music, you know, like this is just some [ __ ] to like go outside and turn up to, >> which I'm not mad about. >> Yeah. That's about right. That's Caribou with not the two. Let's talk about another Lil Yachty feature on the Nems project Locked In on the song Geekin. I was [ __ ] with this. I like I like this wacky like vocal tone, little yachty feature. There's some cool tracks on this. I like the the first track 4 a.m. Geekin. I like the song with Travis Scottu Gas. That had a really good beat. >> I was going to say that was my favorite beat. >> That was a good choice for a Travis feature. Yeah. No, Geek and Nems has like a really nice hook on it that like the song starts off I've been ghosting you cuz I'm working. Like what did you really expect? I don't know. It's just fun cuz it's just again the beat was fun. Like his flow on it was kind of like bouncy and playful like and then the other one uh I picked off of here was hate me love me which I just I really like the sample in this one. the like pitched up vocals >> at the beginning and then it just feels a little more like he was talking about like some more real [ __ ] like just emotional stuff which I don't feel like you get a ton from uh from him personally but yeah I was kind of like so so on this I listened to the whole thing prick with Cash Cobain and Cash Cobain and Loki snapped on it. >> Mhm. >> Yeah, the songs with the features were better because it's not so much of the same thing. Is a little bit more balanced. >> It is a redundant flow. That's the thing. Like it's a lot of there's not much like cadence switching. >> No, you got to look for the beat. >> It's the UK rap. It's like the Central C. Like that's what is popping in the UK. >> I enjoy this way more than I enjoy Central Sea. Like I could I listened to this top to bottom. Enjoyed it. I And I play those a couple of songs. So it's like not like I didn't like it. It's a bit sy and there's a lot of artists that are in the same lane. So it is hard to stand out without those big like Lil Yachty and Java Scott features. just like I don't know without those if I would really even bother with this album. >> But >> I do feel like Lotto did her thing on this too, which I thought it was cool that he put her verse first on that song. Okay. >> Yeah. I was like, wait, did the album just switch? What am I listening to now? [laughter] >> Yeah. No, cuz I I liked her when she came out and I'm not like a big fan or something. I haven't really kept up with her music, but whenever I hear verses from her and stuff, I'm usually not disappointed. Like that's pretty much what I can say. So, it's Yeah, most of the standouts, most of the songs that like grabbed my attention, made me like look at the title and [ __ ] when on my phone it was the ones with features. >> Mhm. >> But he's got a good flow. It just like you said, I feel like a whole album's worth of it. If it was just solo, I'd probably be like, "What song is this?" Like, I feel like I've heard the same song like five times. >> Yeah. Mhm. Yeah. Exactly. And we keep it the same energy with with American artists, too. Like, to me, it's I don't think it's anything to do with the accent. It's like there's a lot of like I'm I'm not trying to throw her under the bus, but like Caribou, for example, Caribou is the same flow. It is redundant. You do need production to kind of carry it, you know? >> And you need a yachti feature. >> Yeah. You need Yeah, that's it. >> Most of the stuff that I remember from the Caribou project are like oneliners and features. >> Yeah. >> Yeah. >> Yep. Well, that's Nems with Locked In. I do want to also mention Dizzy Rascal with We Want Bass, another UK rapper. Literally 20 years Nem senior yet for me bringing way more energy, way more dynamic of a project. Dizzy Rascal has been a staple in the UK grime scene for years. He's one of the first UK rappers I ever heard personally. He used to be on like hella EDM remixes also. So he's very well known in multiple scenes. But this project, it's super fun. It's straight up UK grime, which I understand is like not a happening genre at this moment, but if you do like that sound, then this project is really good. Check this out. >> Mhm. He had a Bun B feature. Love Bun B. >> Wasn't that the only feature, too? >> I want to say that was the only feature. Yeah, that was the only feature on the whole album. He really carries the whole thing with just really exciting EDM beats and just fast, powerful flows. like never really talking about too much, but always just keeping you dancing, keeping you vibing your head. [clears throat] So, he's staying in his lane, but he's pulling it off, you know? >> Yeah. 100%. >> This is good festival music, you know? I mean, the album's called We Want Bass. Like >> his record like Big Dirty Records, you know, like it's just it's dirty, grimy bass. >> Yeah, it's very different than everything else on the playlist this week. Totally different vibe, but >> fire though, >> but yeah, really cool in its own way. I had a honorable mention for the um I don't know if that's how you pronounce their name, but it's the the Blue and uh soundtrack album. >> Yeah, Blue and Soundtrack with LA. >> Everything to me was good about it. But the production specifically, like there's some beats on there that made me feel like I was like having like an aneurysm like in the best way possible. Like it was just the pockets and the cadences were so all over the place. But hearing the the rapping on it, I was like, "Okay, I can tell how this fits." But >> some wacky production. Oh man. I guess what was interesting to me is that the thought process of making the drums that way because without having a rapper on it, I would have a hard time making sense of it. >> Yeah. You have to be a pretty good rapper to catch some of these pockets. >> Yeah. Like Westsider especially super drums and like >> where you're just like what is going on? >> The sway of the drums reminds me of like an Anderson pack type pocket. >> Yeah. Bunky. just it feels like this would be an accomplishment to be able to write a verse to a beat like this, you know? >> Yeah. >> I like Ice Cold Bishop, too. So, it was cool to see him featured. He's actually done [ __ ] with >> Baldi, >> which is cool, too. But, yeah, personally, I like LA a lot. And I liked D OG's. >> The OG's was when I was like, "Whoa, whoa, whoa. Okay, what's like [laughter] what's happening here?" If you pay too much attention to the beat, you'll like trip in your step or something cuz like it's so not like linear, if that makes sense. I I don't know. It's crazy. way of putting it. >> These beats are very unique, which is a cool part about this project for sure. >> Yeah. And the like keeping that bounce with such weird drum structures I found like that's impressive cuz like >> Yeah. >> Sometimes those kind of beats will kind of like it's like you can't really dance to them or move to them cuz it's just too weird. There was a lot of balance to all of these beats. >> Yeah. Crazy pockets. And I think I did enjoy it more coming back to it in general because I was pretty thrown off the first time I heard it. My ears were just not ready for it. Which is kind of cool. That's kind of a sick compliment. >> Mhm. Yeah. This one just felt like there was like two wires like not connected properly in my brain. Like it really was like, "Okay, whoa, whoa, no. No. I have to I have to sit down. >> I'm short circuiting." >> I thought I lost my ear for a second. I was like, "No, no. Usually I'm I'm really good with like clothes and pockets." I was like, "Something's weird here." you know, but >> yeah, >> it's by design. >> That's it. >> Soundtrack. Very cool production from Soundtrack. Definitely shouts out. >> I don't really know him from uh from other stuff. I was kind of looking through his his discoraphy. He's got a couple albums. >> Never heard of him, but I definitely someone that that is so unique like that. Definitely have to keep an eye on them. >> Yeah, that's it's a really cool style. I was [ __ ] with that. That is Blue and Soundtrack with LA. And that's going to wrap it up for us for this week. Before we get into releases for next week, let's of course do plugs. I'll go first. As always, Frequency Overflow dropped a four song instrumental beat tape called A Monster Made These Beats. It's all trap beats. You can find that in the description of our Insta, which is at frequency overflow. And you can always hear our non-exclusive beats on our website, frequencyoverflow.com. What do you want to plug, Gav? >> Check me out everywhere at proudby lunar.g. Pretty much just been working on working on the catalog. Nothing like in particular for anyone in particular, but just trying to put together some uh some good music. I know we've been talking about doing some outreach and stuff, so just trying to have a good catalog, good good backlog of stuff ready. >> Yep, definitely. All right. What about you, Matt? You can follow me at SVR Karier um on Instagram. You can follow my artist Lucius B Thundercat everywhere. Uh we have a new song coming out September 18th. I'll share that on Instagram. And then other than that, the past week uh just goes, we're we're back in music releasing mode. I've just been listening to a lot of beats. Um thousands of beats, a lot a lot of of Detroit style beats. has also been kind of the the the vibe that we've been looking at. Uh so hearing little pistol sounds in my dreams and yeah >> binging bing bing laser guns >> all that you got to have it >> good [ __ ] Well that is plugs releases coming up next week. We got releases from ESTG, Hoodrich Pablo Juan, Standing on the Corner, Unknown T, and what I'm super looking forward to, Rio to Young OG with the world is yours. I'm very excited about that. >> Always with the Mafia references, bro. >> Dude, that's going to be huge. Rio is always so fun to listen to. >> Yeah, really excited for that. >> Sounds like we're going to have like a heavy trap week. >> Yeah, I love Hoodri, so I'm excited. >> Okay, cool. >> I love ESTG, so Yeah. Yeah. >> You know, like that's perfect. >> Going to be some fun stuff next week. >> And Rio, of course. I mean, that >> Yeah, that goes >> anything he drops. I'm I'm all over. >> Well, that's our show. You can check us out on our website at f2fpod.com. That's the number two. You can follow the podcast on Instagram at Fridaytoday podcast. You can follow us on Tik Tok at Friday to Friday Pod. You can save the official Spotify playlist to hear the best releases from each week before the episodes come out. That link is in the description. Our intro and outro music by Lunar G. And thank you listeners. It's the show about Fridays that comes out on a Monday. Join us every Monday to stay in tune with hip-hop releases from Friday to Friday. Peace. See you. Peace.